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・ A High-Toned Old Christian Woman
・ A Higher Form of Killing
・ A Higher Place
・ A Hijacking
・ A Gun for Jennifer
・ A Gun for Sale
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・ A Gunfighter's Pledge
・ A Gunshot to the Head of Trepidation
・ A gURLs wURLd
・ A Guru Comes
・ A Gust of Wind
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・ A Guy and a Gal
A Guy Called Gerald
・ A Guy Could Change
・ A Guy Is a Guy
・ A Guy Like You
・ A Guy Named Joe
・ A Guy Thing
・ A Guy Walks Into a Bar
・ A Gypsy Good Time
・ A Hacker Manifesto
・ A Halfway House Christmas
・ A Halo for Athuan
・ A Ham in a Role
・ A Hand in the Bush
・ A Hand Is on the Gate
・ A Hand of Bridge


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A Guy Called Gerald : ウィキペディア英語版
A Guy Called Gerald

Gerald Simpson (born 16 February 1967, Moss Side, Manchester, England), better known as A Guy Called Gerald, is a British musician, DJ and record producer.
He is best known for his early work in the Manchester acid house scene in the late 1980s〔IMO Records. ("A Guy Called Gerald Biography" ), ''IMO Records'', Retrieved on 24 February 2012.〕 and the track "Voodoo Ray". At that time, he specialised in techno music produced using equipment such as the Roland TB-303 bass synthesiser and the TR-808 drum machine.
==Early Influences and Music==
Simpson was influenced by his Jamaican roots; his father's blue beat, ska and Trojan reggae record collection, his mother's Pentecostal church sessions and the Jamaican sound system parties in Manchester's Moss Side area where he grew up.
He absorbed jazz fusion and electro funk at clubs, youth clubs〔https://www.youtube.com/watch?v=46jB4yohiKA〕 and shebeens such as Legends, St.Alfonso's, British Legion and the Reno in Manchester, where the dancefloor in the early 1980s inspired him to study contemporary dance. Manchester was a hotbed of dance music with black club nights open every night of the week and Simpson spent his time joining in the vibe.〔http://www.gregwilson.co.uk/2013/07/cutting-shapes-how-house-music-really-hit-the-uk/〕 Around 1983 with electro booming and early hip hop, breakdancing and b-boy culture making its way from the US, he left dance college to immerse himself in electronic music production.〔http://www.guycalledgerald.com/blog/biography/history/〕 At this time music from Detroit and Chicago – from producers such as Juan Atkins, Derrick May, Kevin Saunderson was being played by Stu Allen on Piccadilly Radio and imported directly into Manchester's specialist record shops.
Inspired, Simpson began experimenting with tape editing and drum machines and the regular jams in the attic of his house led to forming the Scratchbeat Masters. Using cut up beats, samples and turntables they would challenge other bands and their sound systems. They released a 12" single called "Wax On The Melt", a collaboration between a number of crews and Graham Massey and Martin Price together with whom he would later form 808 State. Their first album, ''Newbuild'', was released in 1988, but he soon left the group to concentrate on his solo work.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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